‘Page 1’ the scroll bar reads it better ,’of 1’, page 1 of 1 is all
/ we gots. After a life-alte®ing and possibly
career-cinhibiting fat finge® mistake made
earlier this mourning whilst he was e-mailing in si©k / to work –
(y)our man ©in the humble(d)
narrator of (t)his Take This Thing Back to Balti-memoi®es and (f) / (b)
/ (c) / (s) log neglected to remove the gmail signature hyper-link to the same
at the bottom of an otherwise cinnocous e-mail message as we do (‘ill
communication’ it read, -id., and for the gmail signature it reads http://tttbtbb.blogspot.ca ‘loaded with
enough honesty to ring true but also enough poetic license to defend against
literal interpretation’, pas mal, right ?) to (wo)management – (y)our man ©in
had to immediately restrict access to the blog, to, well, to no one, because
career-cinhibiting.
Artists and musicians, expecially the filthy rich and / or successful
ones, swear up and down that they make their art ‘for / themselves’, making art
for themselves is all / we gots. Either
that, or it’s ‘if I can reach one person in the audience that night’ from the
stage, everything will be a’ight. Course
these lines are easy to drop when you’re after being interviewed by ®olling Stone
magazine and / or the Time-Life ®ockumentary ‘The History or
Rock ‘n ®oll’, but let’s be
honest, Cin wants mad unique hits for his (s) / (b) / (f) / (c) log, and plenty
/ of them, mad unique hits is all / we gots.
Still and all, it will take quite some time for (y)our man ©in – to dare to unrestrict on-line access to
the same, because since its cinception, some years ago, Cin has been after
hulk-smashing away many many editions of this Take This Thing Back to
Baltimore me-moirs and whatzit, and then posting them, hulk-smashing away
many many editions of this Take This Thing Back to Baltimore me-moirs
and whatzit, and then posting them is all / we gots, some of which are a little
‘PG’, Ned Flanders of The Simpsons says it better, ‘13’.
Course PG-13 really is all / we gots, and this Take This Thing Back
to Baltimore me-moirs and (b) / (s) / (f) log will live in cinfamy ‘for
ever’, the Grady Twins in Kubrick’s The Shining say it better to your
man Danny Torrence, innit Mr. King, ‘and ever / and ever’, for ever and ever
and ever is all / we gots.
But even for ever and ever and
ever doesn’t last / forever, ‘if history has taught us anything’ Pacino’s
Michael Corleone says it better if
passing strangely enough to his droogs in Coppola’s The Godfather Part II,
passing strangely is all / we gots, ‘it’s that anyone can / be killed’, and
although your humble / humbled / humiliated narrator of this Take This Thing
Back to Baltimore me-moirs and passing / strange will cintinue (‘continue’,
©in-taxed, or, as it applies / to ©in -id., and this
applies to all similarly-affected nounce, ve®bs, adjectives,
and made-up / wo®ds, made-up wo®ds is all / we
gots) to upload recent editions of the same – due to a stringent and recent
rule about only uploading older editions once he has hulk-smashed (‘written’
-id.) a brand new one, and as a result he is just under two years from his last
uploaded edition until today’s chronological / calendar date, it sounds
complicated but it isn’t, it means ‘no tickee’ the Chinese are stereotyped to
understand it better, ‘no / laundry’, no tickee, no / laundry is all / we gots
– he may well take his fat-fingered error this mourning (any ‘morning’ that
comes / with grief -id., mornings that come / with grief is all / we gots) as
an opportunity to begin to hulk-smash away at, if not a brand new (b) / (s) /
(f) log, then at least a new / style of same.
How this will all play out on the Wo®ld / Wide / Web
remains to be seen, remaining to be seen is all / we gots, cincluding how many
times Himself ©in will be after
hulk-smashing ‘all / we gots’ after every loving string of words, hulk-smashing
‘all / we gots’ after every loving string of words is all / we gots. All’s he know is that he made a faux-pas this
Ter®ific (one of his many affectations is
to ©opy®igh™ every loving
letter ‘c’, ‘r’ and ‘t’, not to mention ‘p’ when he’s after hulk-smashing away
this Take This Thing Back to Baltimore me-moirs and affectations on Big
Ma©, his other laptop, when Big Ma© is not in the
shop, that is, -id.) of (t)his I Guess It Was a Good (Tues)day mou®ning (hooky
please, -id.) – ‘I guess it was a good / day’, (y)our man I©e ©ube raps it
better in his track of the same nam,e ‘I di’nt have to use / my AK’ - and that
in any event, your man Mi©rooft Wo®d, In©. was after
adding lines before, during, and after recent editions of this Take This
Thing Back to Baltimore me-moirs and hulk-smash, even while Cin was after
hulk-smashing away at the same, and may as a result need a fresh new Wo®d document to
violate anyway, a fresh new Wo®d document to
violate anyway is all / we gots, before that it is the whole kit and caboodle
makes its way onto the World Wide Web, the whole kit and caboodle making its
way onto the World Wide Web is all / we gots.
Good times, tiring, isn’t it, one of Cin’s new ®ules, ‘now we’re
going to make’ – What Would Jack Say as your man Jack Torrence in The
Shining, innit Mr. King - ‘ a new / ®ule’, is that
this Take This Thing Back to Baltimore me-moirs and new ®ule should be
comprehensible to every Tom, swinging Dick, Jane, and Harry who stumbles upon
it, and that without / a thesau®as, making this Take
This Thing Back to Baltimore me-moirs and new ®ule
comprehensible to every Tom, swinging Dick, Jane, and Harry who stumbles upon
it, and that without / a thesau®as is all / we
gots.
Now don’t get / Cin wrong, this Take This
Thing Back to Baltimore me-moirs and mourning had its fair share of unique
page views over the years, 6800 and change – ‘that’s about six thousand’ your
man I®on Mike said it better after hearing
the news, ‘more than I would have / thought’ - but 6800 and change’s worth of
unique page views don’t pay / the bills, ‘thanks’, a ©ubicombs
colleague said it better of the same, ‘don’t feed / my kids’, and this new ®ule Take This
Thing Back to Baltimore me-moirs and ve®sion 2 will
hopefully monetize better / the cinfamy, monetizing better / the cinfamy is all
/ we gots.
To that end, Cin will be after providing more f®ee flogs, left,
right, and centre, within the pages of this new ®ule Take This
Thing Back to Baltimore me-moirs and
(s) / (f) / (b) log, more f®ee flogs, left,
right, and centre is all / we gots.
Person, place, or thing recipients so far of f®ee flogs within
the pages of this Take This Thing Back to Baltimore me-moirs and (s) / (f) / (b) log cinclude but are not
limited to the following : Vileda In©., manufacturer
of various home cleaning and maintenance products that help keep the
cindominium (chez Cin, of course -id.) spic / and span (oh please hooker -id.),
the broom and ®obo-floor-sweeping
models of which are also known to cintrepid and attentive readers of this Take
This Thing Back to Baltimore me-moirs and house-cleaning first-hand as
‘Valeria’, in honour of the protagonista of both Michael Apted’s film version
and of Martin Cruz Smith’s novel Gorky Park and because cinsane;
high-quality novels and films like Gorky Park, of which Cin has videed
and reviewed dozens of times so far during the course of hulk-smashing away at
(t)his this Take This Thing Back to Baltimore me-moirs and film-®eviews ; and the ®ed-hot p®otagonistas and
he®oines / of the same (that’s enough
-id.).
Course a f®ee (f)log, in
addition to being both noun and verb, and sales / pitch, comes in both flavors
- p®o and ©on – and when a
person, place, or thing is after rubbing ©in the wrong way,
for any reason whatsover, and sometimes for no reason / at all, that person,
place, or thing will get a f®ee flogging of
the ©on variety, within the pages of this
new ®ule Take This Thing Back to
Baltimore me-moirs and score-settling.
Person, place, or thing recipients so far of f®ee flogs of the ©on variety within
the pages of this Take This Thing Back to Baltimore me-moirs and (s) / (f) / (b) log cinclude but are not
limited to the following ; bad movies that take up the two hour shift (the
average and only amount of time of Cin’s busy busy days (hooker please , -id.)
dedicated to hulk-smashing away at this Take This Thing Back to Baltimore
me-moirs and (s) / (f) / (b) log) of
Cin’s time that he’ll never get back after videeing and reviewing the same ; rudeness in any way, shape, or
form, ‘discourtesy’ Dr. Lecter says it better in Jonathan Demme’s take on
Thomas Harris’ The Silence of the
Lambs, ‘is unspeakable / to me’ ; and most everything / else, most
everything / else is all / we gots.
Course Cin will be after crying alligator tears if he goes on and on
and on in today’s edition of this Take This Thing Back to Baltimore me-moirs
and on and on and on – the (b) / (f) / (s) log title is pilfered of course from
The Silence of the Lambs, and refers to Anthony Hopkins’ Dr. Lecter in
the words of Senator Ruth Martin, and for the life of him Cin cannot think of /
a replacement name for this new ®ule ve®sion of the same
– but does not cinplement (‘implement’, in what’s left of Cin’s / mind -id.) /
the same, going on and on and on not ©inplementing / the same is all / we gots.
Good times, course it’s all
mostly / the®apeutic - maybe
Cin is hulk-smashing away after all at this
Take This Thing Back to Baltimore me-moirs and smash-the®apy only / mostly
for himself, and for that elusive one person in the audience tonight – and god
knows he hasn’t gotten filthy ®ich off of it so
far, innit god, ‘yeah the 1 %’ Cin quipped it better after I®on Mike accused
him of the same, ‘1 % beer’, referring, and doubling, and ridiculing the
alcohol cintent of the faux beer that Cin occasionally allows himself when he’s
feeling daffy, his only cincession away from ®egime ze®o, the no-frills,
no-thrills lifestyle that Cin has been after leading, ‘for three years’, Cin
said it better to I®on Mike, ‘or is
it / four?’ and to no end of ink / pixels spilt about the same within the pages
of this Take This Thing Back to
Baltimore me-moirs and ®egime ze®o, spilling no
end of ink / pixels within the pages of this
Take This Thing Back to Baltimore me-moirs and ®egime ze®o to ®egime ze®o is all / we
gots.
There has been no
impromptu editing so far this Ter®ific Tuesday
after from your man Microsoft Wo®d, as has been
the case as of late after some 680 pages (keep going -id.) of this Take This
Thing Back to Baltimore me-moirs and editing / the o®iginal, and no
cinvervention, either, as was the case when Cin first posted a link for
this Take This Thing Back to
Baltimore me-moirs and mea-©ulpa / the o®iginal on his fa®cebook page some
moons ago, and then everyone had / a ©ow, everyone
having a ©ow is all / we
gots.
Reader, he took down / the link then, before during and after recinsidering,
and then resuscitating it, and this mourning he took down / the link again,
before maybe recinsidering and then resuscitating it. Take This Thing Back to Baltimore me-moirs
and mea-©ulpa / the o®iginal, we hardly
/ knew ye.
Thank you for reading this Take This Thing Back to Balti-memoi®es
and (s) / (f) / (©) / (b) log.
Comments
Post a Comment