2014-10-23
(f) / (b) / (s) / (c) log
'Your
battery', Tosh says it better on its laptop screen, 'is low', even as Tosh the
television set plays the feel-bad movie of the year, this one a documentary by
Michael Winterbottom about some Middle Eastern desert folks trying to excape /
to Europe - 'so far' the Irish writer said it better about the book that he was
'assupposed to horroreview, this one about a single mother and her precocious /
kid - 'so bad', but maybe the movie like the book will redeem itself during the
telling, 'from a Kuchassa dump' the New York Times headline said it better in
today's edition, 'to Harvard'. And then
all our problems / are solved.
Of all
of the things that Cin would like to be doing of this Thirstday evening,
hulk-smashing away at this edition of this Take This Thing Back to Baltimore
(f) / (b) / (s) / (c) log ranks about 'x - 1', where 'x' is the last item on /
the list. Still, that's how the cookie /
crumbled tonight, and there's no use crying the slogan has it better, over
spilt / milk, 'ain't no use in complaining' Bryan Adams sang it better in his
'Summer of '69', 'when you got a job / to do.
Spent my evening down at the drive-through' ('car wash' ? -id.) / oh and
that's when I met you.'
Good
times, these desert people head through check-point after check-point up on out
on up on the screen - this is not / a documentary, it just plays one on TV - on
their way from Afghanistan through Iran to, well we'll see to where, the
various border patrols are not much help / at all, the ones on the Iranian
border take them off the bus, drive them out to the middle of the stinking
desert from they were trying / to excape in the first place, drop them off, and
then they set off do it all / again.
Sounds
familiar, Cin walked to work this morning, passing all manner of armored
vehicle and television news trucks along the way, after videeing a line of
OCTranspo buses that stretched from his
bus stop, to well beyond the stop before that one, a good two miles from
here. Good times, a maniac brought the
city to a stand-still with a grudge and a sawed-off / shotgun.
Turns
out they kilt / the guy from yesterday who shot and killed a soldier and then
shot up / the houses of Parliament.
Matter of fact, it was the sergeant-at-arms of the House of Commons -
the person whose responsibility is ostensibly to protect our elected officials,
and whose picture is usually the one where he leads in our elected officials to
the house of Commons, carrying a great / big / staff - who kilt the guy. It's one of the very few bright spots of a
story that's otherwise grim, two home-grown radicalized maniacs in as many days
up on out on up on out up here killing two service members and running over / a
third morning noon and night, on orders from ISIS central, whose web-site
recently ordered its followers to 'kill everything in sight' more or less,
singling out for special mention, along with the usual suspects the Great Satan
to the south, the infidel citizens of 'Canada, Australia, Britain, and France',
wherever they can be found.
Your
man the Prime Minister actually gave a pretty good speech, after being 'whisked
away' an article said it better, from the scene of the crime, yesterday
morning. This country will rebound from
this, more focused than ever on destroying radicalism, 'that which does not
destroy you' the slogan, wrongly attributed or at least wrongly translated, to
/ from your man Frederick Nietszche has it better, 'makes you / stronger',
though Cin has always preferred Heath Ledger's The Joker's version from
Christopher Nolan's The Dark Knight Rises, namely that that which does
not destroys us 'makes us / stranger', 'Nietszche, Marx', Cin's room-mate used
to chant the title of the Philosophy 101 course of the same name when Cin would
return to their quad in College during their halcyon college days - simpler
times back then, innit Trip - 'and Kierkegaard.'
Course
it's better to remain hatched-faced throughout our travails, like the
characters in this film - it's a stretch to call them actors, this
father-and-son pair evidently taken right out the village from which the story originates,
and from which from the looks of it they are likely / to return - 'God is
teasing me' Homer Simpson protests it better during one of his own travails /
episodes, to which Marge has to reply of course, 'God is testing you, Homer,
testing.'
What it
is is that young Sinbad (that's enough -id.) and his father and some others end
up in a metal container, hidden in the back of another delivery truck behind
another fake / wall, and end up on a cruise ship or somefink before
disembarking in Italy of all places, at least the ones who didn't suffocate
during / the trip, a group which unfortunately does not include / Sinbad's
(that's enough -id.) Da.
'Still,'
the Italian waiter at the sea-side cafe akses the Italian client(elle) better
about her choice / of water, even as Sinbad steals her purse while he's hawking
/ beads or wtf, 'or sparkling?'. 'Got,'
the street-dude aksed Cin better this after, 'a smoke?', to which question Cin
has taken to giving these guys the just-lit one in his mouth, in return for
which, as a week-early Halloween trick-or-treat routine, the guy gave Cin the
low down on how he, with the help of the saint at the church, 'set the whole
thing' - here he was referring to the recent unpleasantnesses - up.
Your
man then went on and on about the government - Cin and his colleagues are not
'assupposed to wear their passes visibly / outside anymore, but somehow this
guy / knew - before going back to the
shelter, the same one where the killer yesterday stayed over the night before
going apeshit on Parliament Hill, all of these shenanigans on the same block as
Cin's place / of work, 'are you' his manager had the kindness and cinsight to
aks him after he told her that 'the sirens outside will never sound / the same'
after the recent unplesantnesses, 'alright?'
'They
said everything was going to be alright', Bob Dylan sings it better, 'I don't
know what alright / even means.' Let's
just say Cin needs to get out / the city, if even for a brief bit, as certainly
anyone in the city now / should. He was
'assuppossed to take your (wo)man the VIA train to Toronto for a couple of
family meetings - the four-hour trip being just / the thing for what ails him,
but he gagged at the $320.00 one-way ticket price, when we were travelling in
Europe during our halcyon College days, $320.00 got you a six-month unlimited
pass, innit Jenke - and so he booked an Aeroplan plane trip / cinstead, 'the
Rugby Club' our Briar Patch housemate aksed it better in shock and awe, when he
heard of our upcoming trip to Trinidad
and Tobago, innit monsieur Debonaire, 'is going on / an air trip?'
And now
for somefink completely / different, 'diff'rnt' Sharon used to say it better,
innit JF, enough with the 3rd World horror stories, here's one from Francis
Ford Coppola, 'One' the title has it better 'From the Heart'. What it is is that the character played by
Frederik Forrest - who played of course 'Chef' from New Orleans in 'Apocalyse
Now', Chef who famously empties his machine gun chamber in that film, before
during and after videeing a tiger in the Vietnam ('that's Cambodia, Captain'
the Chief of the gunboat corrects Martin Sheen's Lieutenant Willard better)
jungle, or thinks he does - has the ideal marriage with his wife, played by
Terri Garr, who's 'looking fine' in the movies we said it better to those
co-eds at that '80s party in College during our halcyon days, innit BC, 'for
the '80s.' And then the wheels, as they
cinevitably do, fall / off.
'He did
this' the video store owner said it better of where this film fits in, in terms
of Coppola's ouevre, 'after the horror / of 'Apocalypse Now', to which Cin had
to grin and aks, 'a little more / light-hearted ?' Harry Dean Stanton makes a cameo up on out on
up on out in here, as Frederick Forrest's BFF, before Forrest's character
accuses Stanton's character of unbuttoning his wife's blouse, last New Year's
Eve.
It goes
on like this, dialogue is brutal, story is set in Vegas, Tom Waits' music is pretty good, Coppola's
ear like Kubrick's is good when it comes to the soundtracks of his films, The
Doors' 'The End' cinfamously accompanies the choppers at the beginning of
'Apocalypse Now' and the jets drop napalm up on out on up on all over the nabobs
(that's enough -id.) jungle during what's perhaps the best first five minutes
of any film, with the music / to match.
Course Richard Wagner's 'Flight of the Valkyries' comes into its own as
well later on in the story as the helicopters attack the mouth of the river
Nang, 'smells like' Robert Duval's Major says it better as he smells the
napalm, 'victory.'
Course
'Charlie' Duval's Air Cav Major says it better in that movie, 'don't surf', and
'Machete' Danny Trejo's character of the same name says it better in the movie
of the same name, 'don't text', and Cin / don't share, until of course, he
does, but the characters in this movie don't have / that problem, it's / a
talkie, innit Cash.
Thanks for
reading this Take This Thing Back to Baltimore me-moirs and (f) / (b) /
(s) / (c) log
Comments
Post a Comment