12/9/2023 Limited

 12/9/2023 Limited

‘Oh’, (y)our man ©in the humble(d) narrato® of (t)his Take This Thing Back to Baltime-moi®es and Limited said it better to (y)our (wo)man the(ir) Ma Noslou© and housemate – it’s a va®iation on the line that (y)our (wo)man, one of the(ir) neighbors used to drop before during and after you came upon the neighbor / unannounced, and she would go ‘oh, you / scared / me’, and though unannounced might mean having spent the entire after in her ©ompany, the(ir) neighbor a little / skittish – and as part of the(ir) Noslou© pas-de-deux on up on up on up on up in here in Luksvegas, and though the sound of the shuffling of (y)our (wo)man the(ir) Ma Noslou©’s slippers give her away from half-the-house coming as we do,  ‘you startled / me’, sta®tled is all / we gots.

Course from time / to time, and like (y)our man ©aptain Ki®k from aboard the U.S.S. Ente®p®ise from the original T.V. show Sta® T®ek from back in the 20th, and Ki®k played of course by the actor William Shatne®, whose likeness on a mask that four-lettered word the producers of the Halloween film franchise saw fit to provide (y)our man(ia©) Michael Meyers before during and after one of his periodi© escapes from the insane asylum be©asue mu®de®ous - ‘Imma bu®n it / down’, (y)our (wo)man the antihe®oine of one of the latest Halloween installment, says it better to her love interest, playing the ®ole in Halloween Kills of kohei to Michael Myers’ sensei, to which of course (y)our (mad)man Michael’s koehei and apprentice-in-the-da®k-a®ts replies, ‘and “I’ll light / the mat©h’ , it’s the very definition of having a Plan B(u®n It / Down) - and other members of the crew, who would communicate with the ship’s engineer Scotty from whatever planet the crew of the U.S.S. Enterp®ise was after ©olonizing that week be©ause ea®th p®ivilege (hooker please, -id.) by quipping ‘beam me up, Scotty’ into their prototype, and very prescient in its’ design, flip ©ell phone, sometimes other hu(wo)man beings are after getting beamed / up in here be©asue WebEx and zoom that four-lettered word for remote meetings and all / that, this time for the semi-annual meeting of Llewop Limited, the company run by (y)our (business)men uncle and son be©ause sensei-and-kohei (business)men, ‘we used to go to church to wash away / our sins’, (y)our man a cousin’s wasband RIP used to say of the(ir) visits to the local Catholic church of a Sunday morning up on out on up on out on up on out on up on out on up on out on up in here back in the 20th, ‘and then we’d head off to Pops and Gammys’, the(ir) Noslou© grandparents, ‘and sin / some more’, with the kids (wo)managing to videe the 11 o’clock episode of Star Trek that week afterwards to boot, app®enti©e in the da®k / a®ts is all / we gots.

‘’I (wo)managed / to show up this morning’ is of course the only suitable line in the ©ubi©ombs for when anyone akses you if you’ve ever been part of / (wo)management – the vast / majo®ity of ©ubi©ombe®s can count on no hands and no feet the number of good (wo)managers they’ve ever had be©ause none, and the very lu©kiest amongst the ®est of us only be©ause they’ve never / had one be©ause they’ve never senten©ed themselves to / the ©ubi©ombs – and didn’t (y)our man ©in (wo)manage to have a shower this Satu®day morning before during and after it becomes another Sadu®day night and I Ain’t Got Nobody, ©leaning up as we do before during and after the (t)his morning’s video confe®en©e, which is not always / the ©ase when you’re after being part of a Zoomeeting, particularly when you’re being videed from home, ’80 % of su©©ess in life’, (y)our man(©hild) the film director Woody Allen, who otherwise in his p®ivate life that four-lettered wo®d delves unfortunately into some of the da®k / a®ts (hooker please, -id.), said it better, ‘is showing / up’, (wo)managing to show up is all / we gots.

‘What has happened / to (s)mother’ (y)our (we®e)man the antihe®o vampi®e of this film Docto® Quinn, vampire hunte® (hooker please, it’s ©aptain K®onos, Vampi®e Hunter, -id.) says it better to (y)our (wo)man his fellow vampi®ess and sister-in-©®ime, before during and after the sister vampi®e goes on and on and on about how she doesn’t want to grow old like thei® (s)mother (that’s enough, -id.) and all / that be©ause fugly, ‘will not happen / to us’, be©ause immo®(t)al, fugly is all / we gots.

What it is in ©aptain K®onos, Vampi®e Hunter is that (y)our man the titular ©aptain and his sideki©k are after hunting vampi®es morning noon and night back in 18th ©intu®y (hooker please, -id.) B®exit be©ause spooky, like (y)our man the bla©k ©at up in here in Luksvegas who’s been after prowling around of an evening and getting into spats with (y)our men the pandemi©ats ©ount D®a©ule and his familia® Penfield – playing sensei-and-kohei as we do – ‘spe©t®al’ (y)our man ©in calls the appearance and very natu®e of this bla©k ©at of an evening better be©ause spe©t®al, ©ount D®a©ule and his familia® Penfield is all / we gots.

‘Where the devi’. (y)our man the anti-he®o vampi®e of the piece akses it better now of his blood-su©king siste®-in-©®ime (that’s enough, id.), before during and after audeeing the doorbell of their vampire mansion -  where (y)our man the family pat®ia®©h is kept / alive but just barely by the siblings in one of the rooms, in part by being force-fed goblets / of hu(wo)man blood as we do -  ringing and ringing and ringing and ringing, and referring he supposes to the vampi®es’ human familiar be©ause on©e-bitten  / twi©e-shy, ‘is Bartlett ?’,   goblets / of hu(wo)man blood is all / we gots.

‘Fathe®’ (y)our (wo)men the immo®(t)al sharp-fanged siblings say it better now in the film’s eleven o’clock numbe® to (y)our (wo)man the(ir) Ma, ‘is dead’ that four-lettered wo®d, ‘dead from / the plague’, only to be contradicted as we do by the(ir) (s)mother (that’s enough, -id.), who drags / mind-©ont®ols (y)our man pé®e vampi® out from his bedroom-©um-©®ypt  - ‘what ‘®o©k’, (y)our man the ©ryptkeeper from Tales from the ©®ypt ca©kle-askes is better in that Hollywei®d film of the same name from back in the 20th be©ause lite®ally / t®ue, ‘did they drag him / from unde® ?’ – only to be kilt but good, but for good this time, by (y)our man ©aptain K®onos and his bestie sideki©k be©ause Vampi®e Hunte®, and wielding as we do a specially designed anti-vampi®e swo®d replete with a hilt made out of a ©ru©ifix, innit elect®ified J© (hooker please, -id.), ‘who®e’ the description of the saucy ba®maid as the last of the end c®edits has it better now be©ause The End, pé®e vampi® is all / we gots.

Next up of this Saturday after before during and after it be©omes Another Sadu®day Night and I Ain’t Got Nobody double-heade® is Suga®land, featuring Goldie Hawn and William Atherton as two small time crooks making the best of it and the beast with two ba©ks morning noon and night both, ‘we can’t do it / here’ (y)our man the hubby played by Atheron says it better to (y)our (wo)man Private Benjamin, ‘this is the men’s / room’ – before during and after being dragged into the same by Goldie at the end of the(ir) first / and last / conjugal visit at the country club of a stripey hole of a jail where (y)our (wo)men the country-f®ied Bonnie and ©yde are after doing / their time that four-lettered wo®d – ‘prove it’, Hawn’s wife(y) answers, setting the tone for the rest of the movie, proving it is all / we gots.

What it is in Steven Spielberg’s Suga®land is that (y)our (wo)men the bail-jumping p®otagonist(a)s of the same are after getting chased-by-automobile morning noon and night by a Texas Range® be©ause s©off-laws.  Soon enough the tides / are tu®ned as we do, and aren’t (y)our (wo)men Thelma and Louise after taking / hostage (y)our man Walker, Texas Ranger, and stealing his Statie vehicle to boot, adding ©op-napping to the long list of felonies facing this star-©®ossed pair already, and it’s only ten minutes / in  !   a©tion-pa©ked is all / we gots.

Thank you for reading (t)his Take This Thang Back to Balti-memoi®res and Limited, In©.