2014-10-31 Amusing house / wine.

                2014-10-31 Amusing house / wine.

                'Wrongful' the coroner renders his judgment on the case better in The Silence of the Lambs - before during and after doing the autopsy on Buffalo Bill's latest victim - 'death', as Jodie Foster's Agent Starling takes picture of the bugs emanating out / the victim's mouth.  Yes you read that right just above dear reader, it's all Hallow's Eve, and a TGIFFriday to boot, innit G Cin was going to open with Multiple Miggs' line to Agent Starling during her first visit to / the asylum to make the opening line of this edition of this Take This Thing Back to Baltimore me-moirs and the amusing house / wine of a piece with yesterday's edition, which quoted Linda Blair / ©aptain Howdy's Regan McNeil aksing Ellen Burstyn's Chris McNeil, but 'it's a little' Ned Flanders says it better of some similarly questionable material on the TV show The Simpsons, 'PG / 13.'

                Haha PG-13, 'a VA hospital in Oneida Park, New York', agent Starling tries to sell Anthony Hopkins' Dr. Lecter a bill of goods better, part of a series of promises made to Hannibal the ©annibal, in return for helping the Feds find Buffalo Bill.  'Plum Island Animal Disease Research Center' Dr. Lecter calls Clarisse's bluff better after reading the fine print of the contract, 'charming.' 

                'Caterpillar into moth, or cupae' Dr. Lecter says it better, of the significance of the bugs that Clarisse keeps finding in Buffalo Bill's victims' wordholes, 'and from then' here Dr. Lecter gazes into the far corners of his 10-by-10 asylum / cell, 'into beauty.' 

                'It rubs the lotion on its skin', Buffalo Bill says it better in his man-cave, giving instructions to his latest kidnapping victim, down in the hole he has made for just such / a purpose, 'it places the lotion in the basket' he goes on, 'or it gets / the hose.'  When his prisoner begins shrieking upon videeing the fingernails of the previous inhabitants of the hole clawed into the walls of the same, Buffalo Bill, played by Ted Levine and played well, begins to shriek as well, making mounds in his t-shirt with his fingertips, 'he's making a suit' Clarisse Starling figures it out better in the movie, of Buffalo Bill's pathologies and proclivities, 'out of women's / skin.'

                Out Come the Cuffs when Cin leaves / the cindominium, and Out Comes Dr. Lecter's now-cinfamous mask in this film, when he's brought out to the airport to meet Senator Martin, whose daughter is the latest of Buffalo Bill's aforementioned / kidnapping victims.  'Take this thing' Senator Martin says it better after their business is finished - referring to Dr. Lecter and launching simultaneously as she does so one of the most cinfamous (b) / (f) / (s) logs ever to be launched out this (b) / (f) / (s) / loggist's fingers - 'back / to Baltimore.'       

                               

                Now / you know.  'No,' Dr. Lecter corrects Agent Starling better, not for the first or last time in Jonathan Demme's film of Thomas Harris' book, 'we covet.  We covet what we see / every day.'  It's a line that comes to Cin unbidden when he's reading about the most beautiful people in the world according to People magazine in the check-out line of the supermarket, when not five feet away in the next line, is standing easily the most beautiful woman in / the world. we covet what we see / every day.

                Cin paraphrases here, so anxious is he to hulk-smash ever lovin' last line of dialogue on the telee before Clarisse and Dr. Lecter disappear back into the DVD shelf of Cin's bookshelf, or at least until the Extras' version, probably in another hour / and a half. 'Oh' the Nashville (don't aks -id.) SWAT team leader says it better in the movie, when he videes two of his team members disemboweled, the fruits of Dr. Lecter's recent escape, 'God', this too is another expression stolen from this film and co-opted by Cin - 'OMFG' the young 'uns sext it better, innit G- though for very different reasons, namely for when Cin videes beauty on the street or anywhere else. 

                'Almost desperately random' Foster's Clarisse Starling and her BFF at the FBI Academy read up on Dr. Lecter's latest notes / on the case better in the film, 'as in not random / at all.'  Here too Cin sees signs / of hope in this line, of his own travels and travails up on out on up on out on up on this Dog and Pony Show -  and of course also his recollections of them up on out on up in this Take This Thing Back to Baltimore me-moirs and amusing house / wine - so desperately random that they're not random / at all.

                               

                'He's making a woman's suit,' Agent Starling says it better to FBI Director Jack Crawford in the film, correcting the misquoted aforementioned line (as they often are -ed.) above - about Buffalo Bill's pathologies and proclivities - 'out of real / women.'  It's a sick line and a sick movie.  Scary sick.  Four stars.

               

                Good times, who could forget the scene with Levine's Buffalo Bill, his meat and two veges tucked between his crossed legs, pretending he's / a she, dancing around for his video camera, the original Fappening, in his mancave (that's enough -id.), followed of course by Cin's favorite line of this movie and perhaps of any other, 'you don't know', Levine's Bill shouts it better as his world implodes in / on him, 'what pain / is.'

                Course no one listens, 'don't leave me here', Senator Martin's kidnapped daughter yells it better from her hole in the man-cave, to Agent Starling above - who's just told her to stay put and STFU - 'you fucking / bitch!'

                And of course 'the world's more interesting' Dr. Lecter purrs it better over the phone to Agent Starling, promising not to eat / her up, and ending the movie, 'with you / in it', the world more interesting with you / in it is all / we gots.

                End credits for this one actually follow Dr. Lecter's other heads-up - or rather heads-off - line to Clarisse, namely 'I'm having good friend', and here the camera zooms in on a bewigged and disguised Dr. Lecter licking his chops as he videes Anthony Heald's Dr. Frederick Chilton alighting from the airplane he took to this Caribean Island, ostensibly to be safe from the very man who's eyeing Dr. Chilton up / and down for his sweet breads, 'for dinner'.  It's a great way to roll the credits, as the viewer sees the comings and goings of this 3rd world street from a birds-eye view - including the evasive manoeuvering of Dr. Chilton and his hired local thugs on the street, none of whom of course has a chance against the stalking of the pursuing and incognito Dr. Lecter, 'his heart rate never went above 90' Dr. Chilton says it better to Agent Starling earlier in the story, showing her / the gory pictures of a nurse who had the misfortune of being in the same room at the same time as a hungry Dr. Lecter, 'even when he ate / her tongue', who follows them from a distance - as the credits roll and the spooky music plays, effective, not great.

                Film won 5 Oscars or wtf, which is 5 more than its progeny of a sort, this Take This Thing Back to Baltimore me-moirs and amusing house / wine - 'the bastard son' one of the parents of the Nightmare on Elm Street series says it better of that series' villain, Freddie Kruger, 'of a thousand maniacs' - one for Best Picture, one to Foster for playing Clarisse Starling, and one for Hopkin's Dr. Lecter, who was on-screen for a total of all of eleven (11) minutes or thereabouts, that's effective use of limited time, effective use of limited time is all / we gots.  Cin gets the greasy eye-ball at work when he kicks his feet up on his desk to review invoice after invoice after invoice after invoice after invoice (that's enough -id.), but little do they know that it's better all around to have a relaxed demeanour and kicked-back posture, so as not to lend yourself to the image and mindset of the broken-down office drone wage-slave that you've / become.

                Good times, Cin got read the riot act this after yet again in the Cubicles about the million dollars in arrears or wtf, 'is that' he aksed the manager bearing the bad news better, of the fact that Cin is the only person in the shop able to decipher / sign-off on and finally approve these endless, elaborate cinternational cinvoices (he had to) 'by / design ? ', to which of course there is no / good answer, though 'yes' was the answer he got, after a while you stop dissembling with Cin, there is no point, between all the booze and the drugs and the cincussions, and we weren't, innit DD, that bright / to begin with.

                'I graduated from UVA' Agent Starling says it better to Dr. Chilton in the movie, after he questions her internal / intestinal fortitude on the way to seeing Dr. Lecter in his cell for the first time, 'it is not / a charm school'.  Cin graduated (twice -id.) from Club Midd, which is / a charm school - 'I would not have had that happen to you' Dr. Lecter says it better to Agent Starling following the aforementioned incident with Multiple Miggs above, 'discourtesy is unspeakable / to me' - and he will need all his charm to keep / his cool at work as the bean-counters ('you're neither', Brando's Colonel Kurtz says it better to Martin Sheen's Captain Willard, questioning his masculinity and claims to be a soldier / both, in Copppola's Apocalypse Now, 'you're a grocery clerk, an errand / boy') again come 'a counting and Cin yet again has no choice but to counter with his new management philosophy, stolen from one of his very cinterrogators now giving him / the gears, namely 'mind / over matter', aka 'if I don't mind, it doesn't / matter', mind over matter is all / we gots.

                'I don't know how to How Does it Feel' Foster's Clarisse Starling says it better when advised by Scott Glen's Director Crawford of Multiple Miggs' recent demise - 'he swallowed his tongue' Crawford tells her, after Dr. Lecter whispered sweet nothings into Miggs' ear / all night - 'about it', to which Crawford can only reply, 'you don't have to How Does It Feel anything / about it', the 'How Does It Feel' affectation / is Cin's in both cases, line / verb used is 'feel', 'Lecter did it to amuse / himself', doing it to amuse ourselves is all / we gots.

                Thanks for reading this Take This Thing Back to Baltimore me-moirs and amusing house / wine.