‘Down’, the actor Danny de Vito’s tabloid publisher answers it better – before during and after being aksed ‘how’s’ by Kevin Spacey’s LAPD Detective Jack Vincennes, ‘it hanging?’ – ‘below / my ankles’, hanging down below my ankles is all / we gots.
Yes people it’s Sp®ing ©leaning time up on out on up on out
on up on out on up on out on up on out in here in / the cindominium, ‘people
think it’s just another Hollywood homo-cide’, Kevin Spacey’s LAPDetective Jack Vincennes
says it better to Guy Pearce’s weasly Detective Exley of one or another of the
murders in the film, ‘but I / don’t’, another Hollyweird homocide is all / we
gots.
And as part of Sp®ing Cleaning 2016, even the venerable
Curtis Hansen’s film take on James Ellroy’s L.A. Confidential
has to pass muster among its peers in the ©indominium DVD Permanent ©ollection, and that only to make the
trip with the others to the venerable sto®age locker downstairs on P2, to make
room for Cin’s long-awaited ®enovation of the ©indominium, while those films that
don’t make the cut are sent into the bowels of the goodwill bag, sent into the
bowels of the goodwill bag is all / we gots ‘but fucking me and fucking Bud
White’ Kim Basinger’s happy hooke® with a heart / of gold
character says it better to Pearce’s
Detective Exsley in the movie, of Exley’s f®enemy on the force, Russell Crowe’s
Detective Bud White, ‘aren’t / the same thing.’
It’s a good film, moves right / along, ‘it’s’, (y)our man Cin
the humble(d) narrator of (t)his Take This Thing Back to Balti-memoires
and fuck me ? / fuck you says it better to (y)our men the
pandemicats (hooker please you’re four years early, -id.) Itchy and Scratchy in
the cindominium before during and after videeing a film that they all / like because
action-packed, ‘action-packed’. James
Cromwell – a fellow Shiretown College alumnae - plays the ©rooked Irish head LAPDick as we do,
‘have you any validictation,’ he akses Spacey’s Detective Vincennes just before
shooting him / dead ‘boyo ?’, though surely it’s not / ‘valedictation ‘ ? Validation?
Either way, it’s fancy Irish
linen Latin for ‘Famous / Last Wo®ds’, ‘Linen Irish’ they calls us,
innit Cash, for Irish(wo)men who clean your dishes before pissing in / your
sink, cleaning your dishes before pissing in / the sink is all / we gots.
Cromwell’s Irish
detective gets mad lines – ‘I wouldn’t want to be Edmund Exley’ he says it
better of Pearce’s character after Exley crosses Crowe’s Bud White, ‘for all
the whiskey / in Ireland’, and ‘I doubt you’ve ever taken a stupid breath in
your life’, this to Spacey’s Vincennes, ‘don’t / start now’ - never taking a
stupid breath in your life and not / starting now is all / we gots.
What it is in L.A Confidential , among other sub-plots
– ‘Bud White hates himself’ Pearce’s Exley akes it better of Basinger’s L.A.
Woman, ‘any idea why?’, to which Basinger replies of course, ‘I know how / he
feels’, knowing how (s)he How Does It Feels is all / we gots, ‘I hates’ the
guitarist Stelgard Swizler (oh please hooker -id.) says it better of what he’s
learnt about the Number One ®ule of stand-up ©omedy in the Dethcomedy episode of
that cinfamous Adult Swim Cartoon series Metalocalypse, ‘myself’,
hatesing myself is all / we gots, ‘My’ Cin’s fellow me-moirist the
melancholy Swede Nils Knuetgard (oh please hooker -id.) calls his me-moirs
(‘ten tedious paragraphs’ a reviewer reviewed the material of the same better,
‘of deciding which cereal to have / for breakfast’) better, ‘Suffering’- is that Detectives Bud White and Edmond Exley
take on upper LAPD (wo)management in their version of the ©ubicombs, thereby fulfilling every ©ubicomber’s wet d®eam, ‘oh please’ the ©rooked district attorney says it
better to Detective White, after White and Exley threaten him with the ‘good
cop / bad cop’ ®outine, ‘I practically invented / that’, just before White
puts the DA’s head through the bathroom mirror and then into / the toilet bowl. ‘Fuck me ?’, Gladiator’s Bud White says it
better to the Mexicano ruining both of their Cringemas parties at the LAPD
headquarters at the beginning of the film, and this really is the only line
that any of us will ever / need as we go through life that four-lettered word
as we do, ‘fuck / you’, burn me / burn you is all / we gots.
Course Cin is no stranger to
acting out / in the ©ubicombs, ‘is that’ he aksed an upper-manager type –
and his immediate next door ©ubicombs
neighbor – before during and after being given the last of a long line, and the
proverbial last st®aw of an obscene and absurd directive at work, ‘an /
order?’, before refusing / the same, being given the last of a long line, and
the proverbial last st®aw of an obscene and absurd directive at work that
four-lettered word before during and after refusing / the same, is all / we
gots.
‘The vast majority of men’
T.S. Eliot wrote it better in The Waste Land, ‘live a life of quiet /
desperation’, living a life of quiet desperation in the waste land of this Dog
and Pony Show is all / we gots, but Cin will be damned if he’s ‘a take it
sitting down any longer, ‘we do things like that’ Cin said it better to a colleague
in the ©ubicombs yesterday after they jawed about some
grotesque series of ©orporate manoeuvering that both had experienced first
hand, and more / than once, ‘and then wonder why people go / postal’, wondering
why people go postal is all / we gots.
Haha don’t worry ©ubicombers, he’s just after (f) / (b) / (s) / (c) logging,
‘it’s’, Cin said it better to a cincerned Dear Reader - after the cinevitable
cintervention that followed after the
first few episodes / entries of this Take This Thing Back to Baltimore
and burn me / burn you appeared / on-line, and All Hell / Broke Loose, ‘some
things happened’, (y)our (wo)man the(ir) Ma Noslouc said it better and apropos
her take on / the same, ‘and then it devolves into / horror’ - ‘faction’, though if course he said ‘fiction’
at the time so as not to muddy / the waters of what it is exactly that Cin’s
been after hulk-smashing night after night, ‘I wonder what exactly it is’
little Alex’s mother akses it better and for the same reasons in Kubrick’s A Clockwork Orange,
of little Alex’s nocturnal wanderings, ‘that he does of / an evening’, (d)evolving
into horror is all / we gots.
Thank you for reading (t)his Take This Thing Back to
Balti-memoires and Kim Basinger
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